11/20/2009

kotatsu life

  
  

taking a nap
in the warmth of today ...
dreaming HAIKU




Haiku kun in the kotatsu






Winter in the Kotatsu - 猫のコタツ


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Cats in Paradise .. O-Tsu and Haiku-Kun お津と俳句くん


. . . Read my Haiku Archives 2009


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11/19/2009

crazy cows

  
  







I spend my day
with some crazy cows -
ushibeni lipstick









source : garments-toys.html More Cows



. ushibeni 丑紅(うしべに) "bull lipstick"  
kigo

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. . . Read my Haiku Archives 2009


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11/18/2009

Simply Haiku Winter 2009

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Kigo, a Key to Japanese Culture:
An Interview with Gabi Greve, Japan


Robert D. Wilson, Interviewer


RW:
What led you, a medical doctor, and your husband to move from Europe to Japan, and to study and learn the Japanese language to a point where you now translate haiku by famous Japanese poets?


Read it all HERE :

. SIMPLY HAIKU
Winter 2009, vol 7 no 4
 


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. . . Read my Haiku Archives 2009


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11/14/2009

Tao Te Ching 45

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Snail, tiny spiral in calcified membrane;
Inchworm, a hairpin dragon;
Bumblebee, blob of velvet black and yellow,
White butterfly, syncopated burst of gladness;
Naked bulbs, white pubic tentacles in crumbling soil;
Pears, children of earth and sun.


365 Tao
daily meditations
Deng Ming-Dao (author)



Tao Te Ching Verse 45
http://www.facebook.com/note.php?¬e_id=196776481638


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small things
the dao in
daily haiku



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Tao and my haiku

quotes and my haiku




. . . Read my Haiku Archives 2009


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11/10/2009

I M O

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I M O
a thousand leaves falling
in a thousand EMM OOOH's





IMO ... in my opinion

IMHO ... in my humble opinion
(if you know even less on the subject you are commenting about )








LOL ... laughing out loud


Discussing the KIGO issues again and again ..

AHA

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CLICK for more


a thousand and one
nights on a soft pillow ...
Arabian Dreams



. . . wiki/One_Thousand_and_One_Nights


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mop, m.o.p. my own opinion

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. . . Read my Haiku Archives 2009


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11/08/2009

Momiji Daruma

  
  



autumn leaves -
my Daruma san is
everywhere













illustration from
. Zen no Tomo Magazine 禅の友  
October 2009

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Daruma Memorial Day .. Daruma-ki, Japan 達磨忌
October 5



紅葉達磨 もみじだるま Momiji Daruma from red autumn leaves



. . . Read my Haiku Archives 2009


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fog

  
  






above the fog -
the brightness
of your smile







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. . . Read my Haiku Archives 2009


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11/07/2009

spider

  
  




03 spider in my garden




pulling out weeds -
I leave some for this
pregnant spider





02 up







06 my friend Eulalia




stretching a leg
for the beauty competition -
my Lady Eulalia



CLICK for the full spide sequence photos




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05 my pregnant spider alive



after the storm -
my pregnant spider
still pregnant





08 colorful patterns END








two days later, after a rather rainy and stormy night,
she is there, hiding in the lavender.



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more
Spiders in my Paradise 。。極楽の蜘蛛



. . . Read my Haiku Archives 2009


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11/02/2009

moonlight

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moonlight and dark clouds -
these old fairy tales
keep haunting me




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. . . Read my Haiku Archives 2009


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10/29/2009

Autumn Walk

  
  


01 autumn walk START




chasing red spots
in a green landscape . . .
autumn walk




03 autumn in the woods



08 Ohaga Tanada



09 Ohaga oranges Tanada



10 Ohaga red and Tanada




. . My PHOTO ALBUM ... CLICK !




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. AUTUMN WALK
our rice paddies in Ohaga




. . . Read my Haiku Archives 2009


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10/27/2009

moonlight

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moonlight
on the temple roof -
and silence




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. . . Read my Haiku Archives 2009


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10/25/2009

NHK Haikubiyori

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NHK 俳句日和




Haikubiyori ... a fine day for haiku

5 hours of haiku marathon at NHK !


From 11 in the morning till 4 in the afternoon.
A group of students in Tokyo also took part and one of the students was in the finals elected.


10月25日2009年
http://www.nhk.or.jp/bs-tankahaiku/

The participants were
Uda Kiyoko 宇多喜代子, the leader

The haiku judges :
Katayama Yumiko 片山由美子
Tsukushi Bansei 筑紫磐井
Mimura Junya 三村純也
Kai Michiko 櫂未知子
Oogawa Keishuu 小川軽舟

Hayashiya Kikuo 林家木久扇 a rakugo story teller and haiku poet himself, as guest judge
CLICK for more photos

Kikuo san (he gave his former name, Kikuzo 木久蔵, to his son) is a regular member in my favorite program, he wears a yellow kimono and plays the "stupid one" (baka). He is now 70 years old and still going strong.

Shōten (笑点)
a Japanese TV comedy program, continuously broadcast on Sunday evenings on Nippon TV, Channel 4, since 15 May 1966. It is the second-longest running TV show in Japan. (almost like Mito Komon).



The show features a group of six Japanese rakugo comedians wearing kimono of different striking colors, sitting in a row, where they compete to make the best jokes on three themes suggested by the host.
The person judged to be the most funny, gains more and more zabuton (Japanese cushions), until he may be sitting on a stack five, six, or more. Comedians whose jokes are judged to be not funny, or whose responses are not quick enough, may have one or more zabuton removed and end up sitting on the floor. The zabuton used are supposedly extra-heavy ones weighing four kg (9 pounds), so even a stack of ten or more will not topple. When one participant has 10 zabuton, he gets a prize (and usually material for another TV show ... )

The show is also famous for its happy theme music written by Nakamura Hachidai. This music has been continuously broadcast since 1969. The titles are written in edomoji, but were originally written to show an animated smiling face.
Hayashiya Kikuo



Here are the results from the program in April 2009
http://www.nhk.or.jp/bs-tankahaiku/result/haiku.html


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. NHK HAIKU ... NHK 俳句 My Introduction
NHK (Japan Broadcasting Corporation)


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10/24/2009

QUOTE : NAIL

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If you only have a hammer,
you tend to see every problem
as a nail.


Abraham Maslow


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出る釘(杭)は打たれる
deru kugi wa utareru
deru kui wa utareru

The nail that sticks out is hammered down


Reference



. kugi 釘 nail, Nagel .
An anthropological study.


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quote from new internationalist
issue 231 - May 1992


The nail that sticks out
Conformists belong, non-conformists and ethnic minorities get hammered in Japan.
John Charles and Peter Mallat unravel Japanese groupthink.

Who are the Japanese?
Anthropologically it is not at all clear: a conglomerate of Polynesian, Malay and mainland Asian elements, perhaps from Mongolia, who imposed themselves on the aboriginal Ainu and gradually drove them northwards. The precedence of the Ainu in the islands, like the thorny subject of Japanese army atrocities against the Chinese in the 1930s, is another point glossed over by the schoolbooks.

Culturally it is a different story. Japan has a notion of its own uniqueness that many Japanese are convinced an outsider could never fathom. The Japanese language ovefflows with words of status, words of self-abasement, words of guile and subterfuge - and many words that defy accurate translation. Words like Ciri and On translate as 'duty' or 'obligation', but the depth of their meaning is quite different. Within the tightly-ordered framework of Japanese groups - village, family, school, workplace - they weigh heavily indeed. Outside these groups they lose almost all meaning. Thus in Japan there is little goodwill for someone you don't know and little sense of a broader public interest. Peter Tasker, in his book Inside Japan, calls the Japanese the 'kindest, cruelest' people in the world. The face presented depends entirely on whether you are seen to be part of a group or outside it.


Hidden Identities
Many schoolchildren of Korean extraction can give you a harrowing description of hiding their backgrounds from their classmates at great psychological cost - only to be found out when presenting a different passport on a school trip. Their friends melted away before their eyes. In Osaka's Ikuno, ward where a quarter of the population is Korean, less than five per cent use their real names in business dealings. Kim Sung Il, a second-generation Korean, refused fingerprinting, was arrested and had his finger prints taken against his will. He recounts the story of a school teacher accused of some trifling infringement of the Registration Law who was taken from her classroom by a hundred police.

In fact, Japan has had a minority problem for centuries, ever since the Yamato peoples drove the Ainu to the inhospitable northern island of Hokkaido, where they largely remain. Like indigenous peoples everywhere, the Ainu have rediscovered their own identity, and are pressing for reform.


One problem has been the Koseki, or Community Registers. Japan is a society that pays elaborate courtesies to ancestors and their spirits. They are yet another group to which obligations are owed. The Japanese go out of their way to prevent any 'mixing of the blood' which they feel would pollute and dishonour their family tree. To preserve this purity of the lineage (Ie) extensive record-keeping is needed. Hence the social importance of Koseki, which details intimate family information.

Read the full article HERE
http://www.newint.org/issue231/nail.htm


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出る杭の如くつくしの摘まれけり
deru kui no gotoku tsukushi no tsumarekeri

like the nail
that sticks out we pick
horsetails


Kubota Noriko 久保田教子
Tr. Gabi Greve



Tsukushi 土筆(つくし)horsetail plant
kigo for mid-spring
It is considered a delicacy.


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MORE quotes

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Tingatinga

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click on all photos to see a lot MORE !


Tingatinga painting style - Tanzania




Tingatinga -
a world of colors
exploding




Once there was a man called Edward S. Tingatinga.
He was born in the Namochelia village in Tunduru district in the South Tanzania.
During the 1960s he established an art form that became associated with Tanzania. Today, "Tingatinga" is the Tanzanian term for this form of art, known most intimately in Tanzania, Kenya, Norway, Sweden, Finland, Denmark, Japan, Switzerland etc.
Boiled down to its core, Tingatinga art can be defined as painting on masonite using bicycle paint.
...
But Tingatinga art lives on. Masonite boards painted with bicycle paint can still be found in well-stocked "curio shops", shopping centers and tourist shops in eastern and southern Africa, as well as in solidarity shops located throughout Western Europe. Export of Tingatinga paintings from Tanzania to Kenya's capital, Nairobi, and other tourist centers, seems to be lively.
© More in the WIKIPEDIA !



I saw this featured in on TV. The way a painter mixes only six colors to first brush a background and then, the simple strokes of animals, peoples and patterns, without any sketching, just like that
... whish whish ... in no time the painting is finished!


CLICK for many more photos CLICK for more photos





Tingatinga
Märchen und Bilder aus Tansania.
Dokumentation einer Sammlung der Vereinten Evangelischen Mission
Herausgegeben von Heidie Koch
CLICK for original LINK .. www.koeppe.de
source : Rüdiger Köppe Verlag





エドゥアルドサイディTingatingaアート

Tinga Tinga Art(ティンガ ティンガ アート)


CLICK for more photos CLICK for more tingatinga in Japan


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Introducing Haiku from Africa


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. . . Read my Haiku Archives 2009


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10/23/2009

shadows and silence

  
  





11 shadows of a tree






a long silence
between your words -
autumn deepens







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green color code #767c6b "color of mountain doves"
山鳩色 (やまばといろ)




The trees, the flowers, the plants grow in silence.
The stars, the sun, the moon move in silence.
Silence gives us a new perspective.


Mother Teresa



autumn sunshine -
the sound of this shadow
on the wall


the sound of these
leaves on the temple wall -
autumn solitude




11 shadows of a tree


Thanks to Mother Teresa!


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A friend asked:
why not drop 'these' from L1 and move 'leaves" into it's place?

Well, here is my answer:

the sound of leaves
on the temple wall -
autumn solitude


the sound of these
leaves on the temple wall -
autumn solitude


Maybe you feel the difference yourself?

The sound of leaves, the sound of water ... quite a well used phrase in haiku ...
:o) ... maybe overused ...

Since it was not the sound of leaves (or rather maybe branches with leaves, for that matter) hitting the wall, but as is shown in the photo,
it was the sound of shadows, I want the reader to pause
these ... what ? simply leaves? only shadows? anything else ?

these leaves ... I can hear these leaves rustle in the wind, as the tree stands if front of the wall

leaves on the temple wall ... now they are only shadows, not the sound ...


So I choose the version I did.
HH


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. . . Read my Haiku Archives 2009


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